Table of Contents

Comment Icon0 This is a kind of ‘living book.’ Although this is essentially a personal attempt to keep the love of learning alive, it’s also a social enterprise.

Comment Icon0 I started conceiving it in 2000 when I came out of university precisely when the tech bubble started collapsing. I almost went into advertising but changes gave me doubts about the future there — and then thinking about the future became a more appealing career anyways. When 9/11 happened in 2001 I started taking this project very seriously, gravitating towards long-form journalism that addresses underlying problems — not just the challenges we face in the world, but how we think about them. As my thinking progressed the specific aims of this project have continued to evolve, but I always have (and always will) come back to the search for ways to address society’s biggest challenges and opportunities.

Comment Icon0 Although I write on a lot of different topics — from economics, business, war, politics, history, science, and technology, to media, design, comedy, and music — I try to focus on the most important topic of the moment. Right now that is the economy — which also provides great metaphors for my larger framework of ideas about human nature, knowledge, creativity, metaphysics, and the future.

Comment Icon0 I call it an “autobibliography” because it pretty much took over my life — I don’t have much of a biography apart from this. Around 2004 I got the sense the book was writing itself and I was just doing the typing. It’s as if the book is telling its own story. Gimmicky or whatever, but the “autobibliography” thing worked as an organizing theme to keep it together and moving forward.

Comment Icon0 It begins and ends as a philosophical project. Don’t ask me why I felt like I had to do it. In fact, that’s essentially what I’ve been trying to do: understand and explain why I’d even begin such a thing. (This is where the idea of a “book writing itself” came from.)

Comment Icon0 I was encouraged to learn that other people have had the same feeling — and that those people are none other than David Hume and Ludwig Wittgenstein (among others, I imagine… though, no doubt others who are far more obscure and may have died miserably on account of it). Both of those great philosophers went away from the world for a couple of years in their mid/late-20’s because of an urge to understand everything. It wasn’t even a choice — just as it wasn’t a choice with my experience. William James went through the same thing at the same age but wasn’t so inclined to document it right away. Emerson and Nietzsche went through it a few years later after being successful in (and then abandoning) careers that provided almost-but-not-quite enough intellectual freedom.

Comment Icon0 (Check out the Essays I’ve marked with three or four stars to get a sense of where I’m going.)

Comment Icon0 Whether or not the philosophical outcome was worth it (it would be ridiculous to hope it measures up to any of those giants), the education it put me through has surpassed my dreams and would have been impossible any other way. That’s why this bibliographical account I just finished is important to me.

Comment Icon0 More important than the books I’ve read is the practice of finding, evaluating, understanding, synthesizing, and adapting them to specific uses. Personal responsibility, self-discpline, and creative freedom cannot be taught. By definition, any education designed and directed by a system of set grades and credits cannot be creative in the fullest sense of the idea.

Comment Icon0 Part of my original aim was to develop a “creative education” that could be systematized. I certainly failed but I wouldn’t say it wasn’t a success. After all, I managed to get a creative education myself, and I couldn’t create something approaching it until I got that much at least.

Comment Icon0 Along with the 6000 word bibliographical essay I just published, I have 16,000 word essay on the “career” aspect of it (one particular argument is excerpted here). That makes reference to a lot of management and business theory, which ”grounds” the high-flying philosophy in the context of real-world, practical opportunities and challenges.

Comment Icon0 I’ve also made some progress with some of the softer, more literary or “thematic” aspects of it. The big picture has been germinating in my head for a half-decade, and the rough structure is taking shape in these outlines (also see my Résumé/Manifesto — a kind of pre-outline mission statement). My recent post about my old notebooks was a bit of a walk-through.

Comment Icon0 There are a lot of interwoven metaphors involved in order to make the philosophy work. The autobiographical and autobibliographical stuff is part of that (a few links to particular notions are here). The danger of mixed metaphors is not as great as the danger of philosophical tension. Besides their poetic quality, the metaphors assist the philosophy by soften the ideas without weakening them. They’re like complementary muscle tissue that release and stretch to help the body move effectively.

Comment Icon0 Narrative Bibliography: “A Bunch of Stuff I’ve Read”

Comment Icon0 First Outline: Résumé/Manifesto

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Comment Icon0 Recent Notes:

Comment Icon0 Creative Philosophy

Comment Icon0 Exceptions to Every Rule, and Rules For Every Exception

Comment Icon0 Personal Moral Codes

Comment Icon0 Virtues of Idleness

Comment Icon0 Change Will Be Prolific

Comment Icon0 Designers’ Ego

Comment Icon0 Personality Type

Comment Icon0 Serial Development

Comment Icon0 Personalized Specialization

Comment Icon0 Semi-Accidental Success

Comment Icon0 Writing and the Right to Say I’m Right

Comment Icon0 Choosing to Choose More Wisely

Comment Icon0 Why I Write Again

Comment Icon0 Why I Write

Comment Icon0 Reconceiving Résumés

Comment Icon0 Changing My Mind About Modesty

Comment Icon0 Jacques Barzun and the Use of History

Comment Icon0 The Practice of Theory

Comment Icon0 Preface to Résumé/Manifesto

Outline

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